recipes Chicken Betutu ( Ayam Betutu)

Ingredients:

1. 100 g of young cassava leaves 
2. 100 ml vegetable oil 
3. 1 chicken country, remove the head and claws 
4. banana leaf

Blend:

1. 8 pieces red chili 
2. 6 cayenne pepper 
3. 10 grains of red onion 
4. 5 cloves garlic 
5. 2 tsp pepper granules 
6. 2 tsp coriander 
7. 1 / 4 grains nutmeg 
8. 1 stalk lemongrass, take the white part, thinly sliced 
9. 2 cm galangal 
10. 2 cm ginger 
11. 3 cm kencur 
12. 3 cm turmeric 
13. 3 lime leaves, thinly sliced 
14. 2 tsp salt 
15. 1 tsp sugar

Method:
# Boil until tender cassava leaves. Drain, squeeze, sliced ​​finely.
# Heat oil and sauté ground spices until fragrant and cooked. Lift.
# Take 1 / 2 the spices. Smear into the body of chickens, under the skin and belly cavity until blended.
# Stir remaining ingredients with shredded cassava leaves until blended.
# Enter into the abdominal cavity of chicken. Sew the hole chicken stomach. Tie legs with cotton yarn.
# Wrap the chicken with banana leaves. Put in a heat resistant dish.
# Steam for 30 minutes. Lift.
# Bake in hot oven 160 C for 2 hours until dry and cooked chicken.
# Remove and serve warm.

For 6 people

Babi Guling (Pig Roll)

Pig roll (in Bali called some rolling) is a type of food made ​​from pigs female or male child whose belly is filled with herbs and vegetables such as cassava leaves and then baked as she twisted around (diguling-roll) until cooked to be marked with a color change skin become brown and crispy. Originally pork roll was originally used for serving on both the ceremony and ritual ceremonies, but this time pig dishes bolster been sold as well in shops, restaurants, hotels and even some in the area of ​​Bali.

Name pigs bolsters for better known area of ​​Bali with a few rolling. Actually bolsters can be made ​​from other types of meat such as duck and chicken. Pigs bolster the most famous comes from Gianyar regency.

Chicken Betutu

Betutu is a side dish made ​​from chicken or duck a whole that contains spices, then roasted in the husk fire. This goby has been known throughout the district in Bali. One of the producers goby is Melinggih village, Gianyar regency kecamatam Chedi. Chicken goby is also a special food Gilimanuk. Goby is used as a serving in religious ceremonies and rituals as well as dishes and sold. Consumers not only the people of Bali but also foreign visitors who come to Bali, especially in certain places such as in hotels and restaurants / restaurant. Betutu not stored longer lasting.

Gambuh Dance

Gambuh is dramatari Balinese dance which is considered the highest quality and is a classic dramatari Bali's most rich in dance movements that are considered as the source of all types of classical dance of Bali.

It is estimated that this Gambuh appeared around the 15th century that lakonnya rooted in Panji stories. Gambuh form of total theater because in it there is interwoven elements of singing, drama & dance, visual arts, literary arts, and others.

Pementasannya in ceremonies such as Odalan Yadnya Gods, such as marriage ceremonies Yadnya Manusa noble family, the ceremony Yadnya Pitra (Ngaben) and others.

Accompanied by gamelan Penggambuhan who barreled pelog Saih Pitu. The characters are usually displayed is Lean, Kakan-kakan, Princess, Arya / Kadean-kadean, Panji (Patih Sweet), Prabangsa (Patih Loud), Demat, Tomonggong, Turas, Panasar and King. In playing these figures all the dancers in dialogue, generally Kawi language, except for figures Turas, and Lean-speaking Panasar Bali, both fine, medium and coarse.

Bengawan Solo

I V
Bengawan Solo
IV I
Riwayatmu ini
Sedari dulu jadi
Perhatian insani

Musim kemarau
Tak seb'rapa airmu
Di musim hujan, air
meluap sampai jauh

  Ref:
  I IV
  Mata airmu dari Solo
  V I
  Terkurung Gunung Seribu
  Air mengalir sampai jauh
  IV V
  Akhirnya ke laut

Itu perahu
Riwayatmu dulu
Kaum pedagang s'lalu
Naik itu perahu

Ebeg Dance

beg an art form of dance that uses puppets Banyumas area horse made ​​of woven bamboo. Dance Ebeg in Banyumas describe war soldier who was riding a horse. Dance movement that describes the bravery exhibited by the players Ebeg.

It is estimated that this Ebeg art has existed since ancient times, exactly when humans began to embrace the flow of animistic belief and dynamism. One of the corroborating evidence Ebeg in the ranks of older art is the existence of the forms in trance (trance) or wuru. The forms of this kind is characteristic of art that was born during the time of animism and dynamism.

Attraction
In a dish Ebeg going through a unique scene that usually placed in the middle of the show. Attractions such as known in terms Mendhem Banyumasan language (in trance). Players will be possessed and began to perform unique attractions. Forms of attractions such as: eating glass or broken glass, eat immature leaves, eating chicken meat that is still alive, act like monkeys, snakes, and others.

Geuel Dance

Geuel Dance is one of the cultural treasures Gayo in Aceh. Geuel mean sounding. Particularly in the Gayo highlands, this dance has a long and unique story. Researchers and dance choreographer says this dance is not merely a dance. He is a combination of literary arts, music and art of dance itself.

In its development, dance Geuel arise drowned, but Geuel a dance tradition, especially in certain traditional ceremonies. Geuel full appreciation of natural form, lingkkungan then strung together in such a way through symbolic movements and pounding rhythms. This dance is informative media. Compactness in Satra unified frontier between art, music / sound, motion allows to be developed (collaboration) in accordance with the spirit of the times, and change the mindset of local communities. Geuel certainly have a philosophy based on the history of his birth. So the range of 90's dance is the object of a number of survesor peneilitian at home and abroad.

Local government of Aceh when it was also fielded a number of teams under the coordination MOEC (education and cultural services), and Drs Original tersebutlah name Kesuma, Mursalan Ardy, Drs Abdrrahman Moese, and Ibrahim Kadir, who were involved did a survey which is then considered very useful for the younger generation, artists, cultural experts to find a near-perfect description of the dance Geuel. Some results of this research I am trying to point out, much less is a document / literature this dance a bit can be obtained.

Likok Pulo dance

Likok Pulo dance is dance that originated from Aceh. This dance was born around 1849, was created by an old scholar of Arabic origin who drifted at sea and washed up in Pulo Aceh. This dance was held after planting or after harvest of paddy rice, usually performances take place at night even if the dances are competed to run all night until morning. The dance is played by sitting cross-legged position, berbanjar, or hand in hand.

A major player called CEH in the middle of the player. Two drummers rapa'i are behind or either side of the player. While the dance is only functioning member of the upper body, body, hands and head. Movement is the movement of dance in principle by the body, skills, uniformity or equality with the functioning of both hands forward, sideways left or right, up, and the circle from front to back, with initially slow to fast tempo.

Laweut dance

Laweut dance is dance that originated from Aceh. Laweut derived from the word invocation, addressed to the lord praise the Prophet Muhammad. Before the designation laweut used, first of all called Akoon (Seudati Inong). Laweut established its name in the Aceh Cultural Week II (PKA II). This dance originated from Pidie and has grown throughout the province.

This dance movement, which dancers from the top left and right of way line movement entered the stage and instantly create a composition berbanjar one, facing the audience, salute with both hands raised to the extent the chest, then started doing dance movements.

Tawar Sedenge

Engon ko so tanoh Gayo
Si megah mu reta dele
Rum batang uyem si ijo kupi bako e


Pengen ko tuk ni korek so
Uwet mi ko tanoh Gayo
Seselen pumu ni baju netah dirimu
Enti daten bur kelieten Mongot pude deru
Oya le rahmat ni Tuhen ken ko bewen mu
Uwetmi ko tanoh Gayo Semayak bajangku
Ken tawar roh munyang datu uwetmi masku
Ko matangku si mu mimpim
Emah uyem ko ken soloh
Katiti kiding enti museltu i lah ni dene
O kiding kao ken cermin
Remalan enti berteduh
Enti mera kao tang duru ton jema dele
Enti osan ku pumu jema Pesaka si ara
Tenaring ni munyang datu ken ko bewene mu
Uwet mi ko tanoh Gayo Ko opoh bajungku
Ken tawar roh munyang datu uwetmi masku