Geuel Dance is one of the cultural treasures Gayo in Aceh. Geuel mean sounding. Particularly in the Gayo highlands, this dance has a long and unique story. Researchers and dance choreographer says this dance is not merely a dance. He is a combination of literary arts, music and art of dance itself.
In its development, dance Geuel arise drowned, but Geuel a dance tradition, especially in certain traditional ceremonies. Geuel full appreciation of natural form, lingkkungan then strung together in such a way through symbolic movements and pounding rhythms. This dance is informative media. Compactness in Satra unified frontier between art, music / sound, motion allows to be developed (collaboration) in accordance with the spirit of the times, and change the mindset of local communities. Geuel certainly have a philosophy based on the history of his birth. So the range of 90's dance is the object of a number of survesor peneilitian at home and abroad.
Local government of Aceh when it was also fielded a number of teams under the coordination MOEC (education and cultural services), and Drs Original tersebutlah name Kesuma, Mursalan Ardy, Drs Abdrrahman Moese, and Ibrahim Kadir, who were involved did a survey which is then considered very useful for the younger generation, artists, cultural experts to find a near-perfect description of the dance Geuel. Some results of this research I am trying to point out, much less is a document / literature this dance a bit can be obtained.
In its development, dance Geuel arise drowned, but Geuel a dance tradition, especially in certain traditional ceremonies. Geuel full appreciation of natural form, lingkkungan then strung together in such a way through symbolic movements and pounding rhythms. This dance is informative media. Compactness in Satra unified frontier between art, music / sound, motion allows to be developed (collaboration) in accordance with the spirit of the times, and change the mindset of local communities. Geuel certainly have a philosophy based on the history of his birth. So the range of 90's dance is the object of a number of survesor peneilitian at home and abroad.
Local government of Aceh when it was also fielded a number of teams under the coordination MOEC (education and cultural services), and Drs Original tersebutlah name Kesuma, Mursalan Ardy, Drs Abdrrahman Moese, and Ibrahim Kadir, who were involved did a survey which is then considered very useful for the younger generation, artists, cultural experts to find a near-perfect description of the dance Geuel. Some results of this research I am trying to point out, much less is a document / literature this dance a bit can be obtained.
Sengeda dream
Based on folklore that developed in Gayo land. Geuel dance originated from a dream a young man named Sengeda son of King Linge to XIII. Sengeda dream Bener Meria met siblings who supposedly had died due to betrayal. The dream describes Bener Meria Sengeda instructed (his brother), about the tips getting white elephant once these elephant meenggiring way to carry and dipersembahakan to the Sultan of Aceh Darussalam. Is the daughter of the Sultan was eager to have the White Elephant.
They are many years later, there was a story about Cik Serule, the prime minister to King Linge XIV went to the capital city of Aceh Darussalam (now the city of Banda Aceh). Fulfilling a celebration of the annual session Kesutanan Kingdom. Well, Sengeda known Serule come close to bring along. In moments of trial is underway, Sengeda apparently playing in the Hall d'Ivoire while enjoying the majesty of the Palace of the Sultan.
It was then that he remembered the dream time ago, and according to the instructions of their siblings Bener Meria he lukiskanlah a white elephant on a leaf Neniyun (stem of bamboo shoots), upon completion, the painting was exposed to sunlight. Not unexpectedly, such a beautiful reflection of light that invites admiration for the daughter of the King Emperor. From the painting, the Princess became curious and eager to have a white elephant in the original form.
The request was said in Sengeda. Sengeda undertakes capture the White Elephant that there feast dirimba Gayo for ladyship confronted with the requirement Sultan gave orders to Cik Serule. Then in a procession that was searching the seeds and blend dance originated Geuel: To tame the White Elephant, was held a feast with meembakar incense; holding of sounds by banging sticks and anything that produces sounds. Some relatives also do motion Sengeda dances to lure the Elephant.
After that, the Elephant, who was white appears out of persembunyiaannya. When met with a group Sengeda, the Elephant did not want to move. Pursued a variety of ways, the Elephant was also not budge. Sengeda who became the handler at that time to lose the idea to lead the Elephant.
Again Sengeda remembered the dream time ago about some of the instructions that must be done. Sengeda then ordered the group to return to dance with genuine and sincere intention to move my hands like an elephant's trunk movement: nice and polite. Accompanied by movement of greetings to the elephant gods were able to mollify the Elephant. Elephants can be tamed as she accompanied the entourage. Along the way the handler and his entourage, the occasional white elephant ditepung offered by Mungkur (lime) and powder to days of travel before the entourage arrived at the Prince Sultan Center for the kingdom of Aceh Darussalam.
That's the history of folklore in the Gayo, although the truth can not be proved scientifically, but then Dance Geuel in re-development keeps them unique story Sengeda, White Elephant and the Princess Sultan. This is what came to be known temali Linge royal history that connects with the Kingdom of Aceh Darussalam is so close and earthy.
So also in the show Dance Geuel attractions, that we often encounter during the marriage ceremony, especially in the Land of Gayo, still take the spirit of kinship language and history with a beautiful dance: the Dance Geuel. Reinngkarnasi story, in dance Geuel, Sengeda then played by Master Didong the dancers who bring Beyi (Safe his name) or Linto Baroe to get up from where persandingan (bridal dais). Meanwhile, the White Elephant, played by Linto Baroe (Male-Bride). Pengulu Mungkur, Powder Pengulu played by the mother sow Breuh padee (paddy rice) or known to the parched.
They are many years later, there was a story about Cik Serule, the prime minister to King Linge XIV went to the capital city of Aceh Darussalam (now the city of Banda Aceh). Fulfilling a celebration of the annual session Kesutanan Kingdom. Well, Sengeda known Serule come close to bring along. In moments of trial is underway, Sengeda apparently playing in the Hall d'Ivoire while enjoying the majesty of the Palace of the Sultan.
It was then that he remembered the dream time ago, and according to the instructions of their siblings Bener Meria he lukiskanlah a white elephant on a leaf Neniyun (stem of bamboo shoots), upon completion, the painting was exposed to sunlight. Not unexpectedly, such a beautiful reflection of light that invites admiration for the daughter of the King Emperor. From the painting, the Princess became curious and eager to have a white elephant in the original form.
The request was said in Sengeda. Sengeda undertakes capture the White Elephant that there feast dirimba Gayo for ladyship confronted with the requirement Sultan gave orders to Cik Serule. Then in a procession that was searching the seeds and blend dance originated Geuel: To tame the White Elephant, was held a feast with meembakar incense; holding of sounds by banging sticks and anything that produces sounds. Some relatives also do motion Sengeda dances to lure the Elephant.
After that, the Elephant, who was white appears out of persembunyiaannya. When met with a group Sengeda, the Elephant did not want to move. Pursued a variety of ways, the Elephant was also not budge. Sengeda who became the handler at that time to lose the idea to lead the Elephant.
Again Sengeda remembered the dream time ago about some of the instructions that must be done. Sengeda then ordered the group to return to dance with genuine and sincere intention to move my hands like an elephant's trunk movement: nice and polite. Accompanied by movement of greetings to the elephant gods were able to mollify the Elephant. Elephants can be tamed as she accompanied the entourage. Along the way the handler and his entourage, the occasional white elephant ditepung offered by Mungkur (lime) and powder to days of travel before the entourage arrived at the Prince Sultan Center for the kingdom of Aceh Darussalam.
That's the history of folklore in the Gayo, although the truth can not be proved scientifically, but then Dance Geuel in re-development keeps them unique story Sengeda, White Elephant and the Princess Sultan. This is what came to be known temali Linge royal history that connects with the Kingdom of Aceh Darussalam is so close and earthy.
So also in the show Dance Geuel attractions, that we often encounter during the marriage ceremony, especially in the Land of Gayo, still take the spirit of kinship language and history with a beautiful dance: the Dance Geuel. Reinngkarnasi story, in dance Geuel, Sengeda then played by Master Didong the dancers who bring Beyi (Safe his name) or Linto Baroe to get up from where persandingan (bridal dais). Meanwhile, the White Elephant, played by Linto Baroe (Male-Bride). Pengulu Mungkur, Powder Pengulu played by the mother sow Breuh padee (paddy rice) or known to the parched.
DancerIn Gayo land, formerly known as so many dancers Geuel. As Sheikh Ishaq in Kampung Kutelintang-exile, on Wednesday in the village Safe-Bebesan steersman, CEH Regom in Toweran. Another dancer waktun period 1992 to 1993 who was still alive was the Safe-Kampung Jaya Kutelintang, Umer-Bebesan, Sheikh Midin Nara-Silih tweezers, Safie-Gelu Gele Lungi-exile, Majid-Bebesan Item. They had an average time already in their 60s. There is now dead so that over generations of dancers become a serious obstacle.
Although there were dancers who were born because of his own talent, not directly taught in theory and practice by expert dancers, as mentioned, they do not sepiawai dancing skills of his predecessors. So is the music of driving accompaniment tetabuhan like Rebana increasingly rare, let alone want to equalize with a late Sheikh dedengkot Refinery in Kemili Bebesan.
Dance Geuel divided into four Babakan raw. Consisting of thy staring round, Dep Act II, Act III Ketibung, Act IV Chop Jackfruit. Range of motion or the motion base is Salam Semah (Munatap), Kepur Nunguk, Sining Leech, Semer Tins (Sengker Kalang), Dah-board. While the number of the dancers in its development consists of a group of men and women ranging from 8-10 (Female), 2-4 (Men). Male dancer in every appearance always appear as a symbol and a prima donna, symbolizes safe Manyak or lintoe Baroe and Teacher Didong. The number of drummers are usually at least 4 people that are beating Canang, Gong, Rebana, and Memong. Geuel dance is unique, writer felt experience contains elements of hard and soft elements of a mix of characters and understated. If the players really mengusai this dance, especially the role of the White Elephant Sengeda and then the audience will feel the incredible wonder. As if the pertarungaan and affect efforts between Sengeda and white elephant. Efforts to subdue clearly visible, until kipasan openwork fabric in the back dancers seemed Gayo contain incredible powers along taarian. Geuel from Babakan to other Babakan until after always offer a helping hand like two lovers dancing amid anxiety of their parents. o There is winning and losing in this dance, because the offering and the linkage movement and eye gaze are the symbol of Love. But unfortunately, now Geuel dance is like losing Its mother, because the government is very concern let alone the modern onslaught of noisy music like Keyboar at every wedding in the area.
Although there were dancers who were born because of his own talent, not directly taught in theory and practice by expert dancers, as mentioned, they do not sepiawai dancing skills of his predecessors. So is the music of driving accompaniment tetabuhan like Rebana increasingly rare, let alone want to equalize with a late Sheikh dedengkot Refinery in Kemili Bebesan.
Dance Geuel divided into four Babakan raw. Consisting of thy staring round, Dep Act II, Act III Ketibung, Act IV Chop Jackfruit. Range of motion or the motion base is Salam Semah (Munatap), Kepur Nunguk, Sining Leech, Semer Tins (Sengker Kalang), Dah-board. While the number of the dancers in its development consists of a group of men and women ranging from 8-10 (Female), 2-4 (Men). Male dancer in every appearance always appear as a symbol and a prima donna, symbolizes safe Manyak or lintoe Baroe and Teacher Didong. The number of drummers are usually at least 4 people that are beating Canang, Gong, Rebana, and Memong. Geuel dance is unique, writer felt experience contains elements of hard and soft elements of a mix of characters and understated. If the players really mengusai this dance, especially the role of the White Elephant Sengeda and then the audience will feel the incredible wonder. As if the pertarungaan and affect efforts between Sengeda and white elephant. Efforts to subdue clearly visible, until kipasan openwork fabric in the back dancers seemed Gayo contain incredible powers along taarian. Geuel from Babakan to other Babakan until after always offer a helping hand like two lovers dancing amid anxiety of their parents. o There is winning and losing in this dance, because the offering and the linkage movement and eye gaze are the symbol of Love. But unfortunately, now Geuel dance is like losing Its mother, because the government is very concern let alone the modern onslaught of noisy music like Keyboar at every wedding in the area.
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